When I went in to see To The Bone, I was thrilled we were able to score tickets, but was not sure what to expect from a film about a 20 year old anorexic girl who tries to get help from a doctor who runs a group home that is difficult to be accepted into.
Director/Writer Marti Noxon pulls it off in a surprisingly dramatic way with comedic tones throughout – and it works. Treating a serious matter with humor throughout gives the film a very real, no bullshit, realistic touch.
Lily Collins plays the 20 year old anorexic patient in search of her purpose, her future, and essentially herself and Keanu Reeves plays the doctor who runs the group home and meets daily with his patients trying to help them save themselves.
Other members of the cast in key roles included Alex Sharp (the optimist and love interest), Lily Taylor (Ellen’s mother), and Carrie Preston (Ellen’s annoying step-mother).
One of the most surprising things about To The Bone is that Keanu Reeves turns out one of his best roles showing a wide range of emotion. Sure, I loved John Wick just like anyone else because of the straight and ruthless way in which Keanu plays him, but that’s what we’ve come to expect from him all these years. This is a new Keanu. And I like him. His no-nonsense doctor has a somewhat sick sense of humor and he laughs at himself, perhaps to let his patients know he cares, but must keep that safe distance.
The emotional intensity is there throughout the entire movie and not once did I find myself leaving the film to analyze or question whether or not a moment was real or whether the limits had been pushed too far or not.
Director Marti Noxon was forthcoming in telling the audience after the film that the movie was somewhat auto-biographical and that writing about her experiences and then turning them into a film with others who had similar eating disorders was therapeutic. They were very careful during filming to not put those actors at risk by having them relive their experiences or fall into old patterns.
This film is definitely worth the watch. It’s a unique story told by those who have lived through it, but not without cost. It’s an imaginative and truthful, original story told in a way I have not seen before.
The film was picked up by Netflix for about $8M. One third of the films at the Sundance Film Festival this year were directed by women. This may not reflect what is happening in the rest of the filmmaking world yet, if Marti Noxon’s work is an indication of the kind of storytelling we can expect in the future, it will soon be the norm.
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